Making Paint II - Old Holland Pigment

This is my second attempt at making paint. This time,  I used Old Holland Parijs (Pruisisch) Blau Extra a.k.a. Prussian Blue Pigment pigment and Lagridge Refined Linseed Oil. This pigment was drastically different than the Langridge Raw Umber Green. The granules were much bigger and the pigment was much more like salt crystals. The Umber, on the other hand, had the consistency of flour. It made for some interesting mixing and was a lot messier. The clean up was also much more difficult, I think my glass plate will be permanently tinted blue.

Materials

Old Holland Prussian Blue Pigment - 1Tbsp and 1tsp
Langridge Refined Linseed Oil - 2 1/4 tsp
2 Palette Knives
Small Measuring Spoons
Muller and Glass Plate
37mL empty Paint Tube
~28 paper towels

Photo Documentation

 

Interesting - the oil soaked right into the pigment. The Umber trial left the pigment floating on top until I mixed the oil and pigment together.

These materials were purchased at Parkers Art Supply in Sydney. Old Holland paint is fabulous. There is nothing better than the outstanding color and texture that Old Holland Paints provide.... That is if you can afford them. They tend to be a bit pricey but are worth every cent. The Prussian Blue pigment was very grainy and retained some of that character after being mixed. If you are looking for pigment/paint in which every color is uniform in consistency, Old Holland may not be for you. Their website has some wonderful photos of their manufacturing process. I would not choose to solely use Old Holland paint if funds were out of the question, but would definitely keep some colors on hand.

Once again, I have a chart going to catalog how the paint ages after being tubed.

Maybe tomorrow I will try making paint from a rock I collected while climbing in the Blue Mountains....